Memory works in funny ways. With passing time, one event
blends with another until, eventually, recollections stitch themselves together
like an old patchwork quilt assembled from every leftover scrap lying about the
house. Snippets of bright color or interesting texture catch the eye and off a
mind goes following a bunny trail that may not go anywhere. I started following
one of those winding, backtracking thoughts recently and found myself lost in a
mystery. I hope someone can help me find answers.
Since I was tiny, I’ve loved stained glass windows. I enjoy
the varying hues, the stories each scene tells, and the way sunlight glows
through, tinting everything in its path. Magically, words of hymns and sermons seem
to float in that radiant light like waltzing dust motes during Sunday services.
My first memories link to the sanctuary windows in the Methodist Church in
Meade, Kansas. I loved how distant artists depicted Bible stories and
characters in vibrant colors that seemed richer than any shade I could create
with my crayons and paints.
Not long after these religious panels engaged my toddler
attention, a relative moved into an Victorian two story with a gorgeous stained
glass window at the stairway landing between the first and second floors. My
cousins and I loved sliding down those stairs, which means we had to climb to
that midway point to launch our speedy descents. I don’t know that anyone else
dawdled on the way up, but I did. Sunlight radiating through that jewel-toned melted
silica joined by lead strips dazed my senses enough that I didn’t feel a single
bump on the way down.
Even now, my heart starts beating faster when I discover century-old
buildings that contain their original stained glass. Apparently, a goodly
number of early settlers found a way to put at least one decorative window in
their home or business. For those on a strict budget, that might mean four tiny
squares of color soldered in each corner of a rectangle or square. Well-to-do
families had more options.
Those with fatter wallets might incorporate several ornamental
windows throughout their home. Almost every long-established community has
several of these two or three storied houses replete with decorative gingerbread,
wrought iron fence work, and stunning glass throughout the property. These make
me recollect a world with fewer distractions than ours has. What a joy it would
be to look up to see sunlight streaming through amber, lavender, cobalt, ruby,
and emerald tones while you were dusting, scrubbing, or cooking.
A trip to Cottonwood Ranch in Studley reveals excellent
examples of such a home. The Pratt family members were among the first
permanent settlers in that region. Mrs. Pratt immigrated from greener
landscapes and struggled with the monotony of her new homeland. To help, her
husband built a lovely ranch. Modern visitors see the evidence as they travel
from room to room, admiring colorful glasswork in nearly every window.
Here’s the mystery. I want to know where early Kansans bought
these windows. I did learn factories that produced these arts works weren’t local.
So far, I’ve discovered that some of the big Catholic churches ordered their
panels from either the East Coast or Europe. I can’t imagine the shipping costs
on these breakables. What intrigues me even more is knowing every little town in
this area had homes and churches decorated with these lovely works of art.
Where did they come from and at what cost?
I love your introductory image of memory as a colorful quilt. And what wonderful memories you have of stained glass windows. If you find the answers to your questions, I hope you post them on your blog.
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